December 12, 1985
November 11, 1985
Brazil (1985) *****
Directed by Terry Gilliam. A brilliant black comedy, clearly inspired by George Orwell’s “1984”, but totally unique and original. There are three versions of this film. The original director’s cut is 142 minutes. The theatrical version is 132 minutes; it has a sad ending. There is also a 94 minutes studio cut with a happy ending, which includes footage not found in the 132-minute version.
October 10, 1985
Back To The Future (1985) ****
Tremendously entertaining and exciting action comedy starring Michael J.Fox.
Runaway Train (1985) ****
Two escaped convicts (Jon Voight and Eric Roberts) flee aboard a runaway train in the Alaskan wilderness. The screenplay was written by Akira Kurosawa.
September 9, 1985
Sweet Dreams (1985) ***
Jessica Lange gives a performance of her career as Patsy Cline. Songs include:
"Walking After Midnight" ***
"I Fall To Pieces" ***
"Crazy" ***
"Blue Moon Of Kentucky" **
"Sweet Dreams" **
"Walking After Midnight" ***
"I Fall To Pieces" ***
"Crazy" ***
"Blue Moon Of Kentucky" **
"Sweet Dreams" **
Shoah (1985) ***
Celebrated documentary about the Holocaust. The film consists of long interviews with survivors, witnesses and even former Nazi guards. Historically an extremely significant work, but stylistically uneven and often needlessly manipulative. Pauline Kael, who wrote a negative review of the film, went as far as to say that it wasn’t well made. That's an exaggeration, but she was correct in claiming that it was not a movie that (like a Holocaust documentary she loved, "The Sorrow And The Pity") opened the mind, but that it was a film that closed the mind. Most of all, she was right in arguing against the dubious contention that a nine-hour-plus movie about the death camps necessarily had to be a masterpiece of cinematic art. Timothy Snyder wrote an excellent review of the film.
Pulgasari (1985) ***
The most famous North Korean film of all times; the story of its creation being far more dramatic than its plot. A South Korean film director has been kidnapped and forced to make this campy “Godzilla” rip-off. But he managed to smuggle some clearly anti-Communist themes into his film – Pulgasari, the iron-eating monster that helps the peasants to overthrow an oppressive king, ends up devouring their iron farming tools as well. The anti-Communist message is clear – the Revolution (Pulgasari) can destroy oppression, but it also leads to starvation and misery, and it ultimately ends up eating its own children (as Pulgasari does - literally - at the end of the film).
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