Charlie Wilson's War (2007) ****

This is an amazing film. Amazing for many reasons. It's an amazing film because it's fiercely anti-Communist, denouncing Soviet crimes against humanity in Afghanistan in the 1980's like no other Hollywood movie in recent memory. It's an amazing film because it celebrates Texas Congressman Charles Wilson (Tom Hanks) as a great American hero, without sweeping his personal life under the carpet. In fact, the film praises the hedonistic lifestyle of "Good Time Charlie" and goes as far as to denounce a young hot-shot district attorney from New York named Rudy Giuliani for trying to investigate him. It's an amazing film because it celebrates Texas socialite Joanne Herring (Julia Roberts) as an arch-conservative, right-wing Christian fundamentalist who hates Commies like a plague - it is absolutely unprecedented to see such a figure presented as a 100% positive and admirable character in a Hollywood movie. Especially in a Hollywood movie written by liberal Aaron Sorkin ("West Wing", "The American President") and directed by liberal Mike Nichols ("Primary Colors"). But "Charlie Wilson's War" had to be an amazing movie, because Charlie Wilson was a such an amazing character himself. He was a liberal, pro-choice, women-chasing Democrat from Texas who was more anti-Communist than Ronald Reagan himself. Like Oscar Schindler (another hedonistic bon vivant turned humanitarian crusader), he had an epiphany while visiting a refugee camp in Pakistan and seeing Afghan children mutilated by bombs hidden in toys. Brilliantly directed, "Charlie Wilson's War" is a crisp, biting satire that confidently mixes sex and politics, and moves at a breakneck pace without wasting a single moment. Soundbites are sharp and memorable. Moreover, the film offers an amazing emotional roller-coaster, going from satiric farce to Schindler-caliber pathos in a matter of seconds, and featuring naked Playboy bunnies in hot tubs, as well as disfigured Afghan mothers, not to mention a bevy of drop-dead gorgeous congressional assistants working for Charlie (Amy Adams among them). While the film is a hilarious political satire, it has no broad political caricatures. Every major character - left or right - is a complex, multi-dimensional individual full of contradictions and nuances. The film is anti-red, but it paints everything in amazing shades of grey.

Du levande (2007) ****

Juno (2007) ****

Hilarious, intelligent, bittersweet and deeply touching comedy about a teenage girl who gets pregnant and decides to give her baby for adoption. This is an amazingly surprising film, which subverts every imaginable cliché on this subject (usually after suggesting a cliché, but then pulling the rug from under the viewer's feet by avoiding it altogether). Ellen Page is amazing in the title role. The unbelievably clever script was written by former stripper Diablo Cody.

There is a great review of the movie by Dana Stevens in Slate.

Once (2007) ****

A superlative musical film from Ireland. A pure delight.

La Zona (2007) ****

Excellent Mexican drama directed by Rodrigo Pla, a powerful allegory about fascism. Winner of the Golden Lion at the Venice Film Festival.

Katyn (2007) ****

Incredibly powerful film about the massacre of the Polish POWs at the Katyn Forest by the Soviets in 1940.

American Gangster (2007) ****

Continental, un film sans fusil (2007) ****

Excellent film about alienation and solitude. In its own, uniquely Canadian style, this gently, ever-so-bittersweet comedy recalls the upbeat sad-sack ethos of a Kaurismaki film. Characters in their daily struggle possess the strange dignity of their persistence and the odd ingenuity of their patchwork coping mechanisms. The film is available for purchase here.

Les Amours d'Astrée et de Céladon (2007) ****

Le Scaphandre et le papillon (2007) ****

Grindhouse (2007) ****

As its producer Harvey Weinstein was the first to admit, to release Quentin Tarantino's ''Death Proof'' and Robert Rodriguez's ''Planet Terror'' on a double-bill was a financially disastrous decision, turning an otherwise brilliant enterprise into a monumental box office flop. Less so because of its 3 hours and 12 minutes length, and more so because no two movies could possibly be more dissimilar and more inappropriate for a ''package deal'' release. Robert Rodriguez's film is an exciting, fast-paced action movie about zombies. It's an easy-to-watch, crowd-pleasing gorefest full of humour, blood, sex and high-adrenaline action. Quentin Tarantino's film, on the other hand, is a genuine masterpiece of the cinematic art, whose highly unusual narrative structure, brilliant dialogue scenes, eccentric pacing, and truly weird characters, have turned off most mainstream viewers (who probably fell asleep long before the unbelievably exciting car chase sequence that ends the movie). Between the two films, there are some marvellous fake trailers, the best being ''Machete'' (top photo), which Robert Rodriguez wants to turn into his next movie. There is little to add to ''Planet Terror'' except to note that it is a magnificent homage to George Romero and that there isn't a single dull moment in the entire movie. But it isn’t a masterwork. ''Death Proof'', on the other hand, has few parallels in the history of cinema. It’s basically a porno movie about a rapist, except that his penis has been replaced by a race car. There is vaginal sex in the film (a head-on collision early in the film, with a girl's leg sticking out of the car’s window). There is also anal sex in the film (when Kurt Russell’s car is repeatedly bumping the girls’ car from the rear). The final shot of the film is an homage to ''Faster, Pussycat! Kill! Kill!'', but the fabulous and entertaining dialogue scenes prove once again that Tarantino owes far more to Eric Rohmer than to Russ Meyer. The amazing car chase scene (probably the best ever filmed) was shot in long, unbroken takes, with a girl (real-life stuntwoman Zoe Bell) clinging to a hood at unbelievable speeds. The jazzy, super-quirky "Chick Habit" plays during the closing credits. Jog has an excellent review of the film here.

"Planet Terror" ***

"Death Proof" *****

I Served The King Of England (2007) ****

This marvelous black comedy by Jiri Menzel, set in Czechoslovakia before, during and after the World War II, has been adapted, as was Menzel's 1967 Oscar-winning masterpiece "Closely Watched Trains", from a novel by Bohumil Hrabal. There are many similarities between both films, starting with a naive young protagonist in the tradition of Good Soldier Švejk, but while ''Closely Watched Trains'' (Menzel's film debut) was a modest, and largely apolitical work (despite its World War II setting), ''I Served The King Of England'' is an ambitious, epic saga that spans almost a quarter of the century of the Czech history (from circa 1935 to circa 1960) and deals with extremely controversial themes in a fabulously ironic and comedic way. In a way, ''I Served The King Of England'' is a bit like a Czech ''Forrest Gump", except that this Forrest Gump is a Nazi collaborator and war profiteer, but despite all that, he still remains an immensely likeable fellow. It wasn't his fault, after all, that he fell in love with a poor German girl (Julia Jentsch), molested by brutish Czech thugs during the Sudetenland crisis in 1938. And it wasn't his fault that his sexy new girlfriend turned out to be a fervent Nazi fanatic. Our Czech Forrest Gump could hardly be blamed for choosing the losing side in World War II and suffering the consequences afterwards (although the exact reason he suffers those consequences is a deliciously ironic twist that won't be revealed here, but which perfectly sums up the absurd conundrum in which Eastern Europe has found itself in the late 1940’s). Eddie Cockrell praises the film in Variety as "a unique mixture of self-deprecating dark humour and personal tragedy that has been the Czech cinema's stock-in-trade since their celebrated 1960s New Wave (...) And pic's tone is nothing if not audacious, wringing laughs from subjects that include a Nazi human breeding centre. (…) There's nothing lecherous about the parade of beautiful women on view, all of whom are photographed as lovingly as the beer". It is all true, except for the last sentence - the film is actually quite lecherous, sexy and perverse.

No Country For Old Men (2007) ****

The Coen Brothers have came up with another cinematic gem. An ingenious mix between "Fargo" and "The Terminator", it's a stylistic tour-de-force about a cold-blooded killer (Javier Bardem) relentlessly pursuing a Texas hunter (Josh Brolin). A sort of modern Tex-Mex western, set on the both sides of the Rio Grande in a kind of no-man's-land separating rugged individualism from a nihilistic abyss. The film was named "Best Picture of the Year" by the National Board of Review (see here and here). John Podhoretz has an unfairly negative, but hilarious review of the film in Weekly Standard, calling the film "The Texas Highbrow Massacre"...

300 (2007) ****

The mullahs in Iran have correctly identified the real message of the film, and denounced ''300'' as a pro-American diatribe which is, and I quote, ''part of a comprehensive U.S. psychological war aimed at Iranian culture''. And they are absolutely correct. Directed by Zack Snyder, ''300'' is a jingoistic, unabashedly fascistic celebration of Western superiority over Eastern despotism and barbarism. The film is guaranteed to give every woke university professor a solid heart attack. Spartan culture is probably the closest the Western civilization has ever come in creating a purely Darwinian state ruled by ruthless natural selection. In Sparta, you either died or became a fearless warrior. The weak were mercilessly eliminated in ways even Adolf Hitler would have probably found a bit harsh. The film honestly deals with the fascist reality of Sparta, but instead of denouncing it, it brazenly celebrates it. It also celebrates heroism, patriotism and other universal virtues, but it also reminds the viewers that those heroic individuals were incredibly cruel, uncompromising and brutal. So while admiring King Leonidas (Gerard Butler) for his courage, we are also forced to condemn him when he refuses the help of a deformed dwarf willing to fight alongside him. Physically deformed people had no place in Sparta. On the other hand - SPOILERS ALERT - when Leoniodas's gorgeous wife Queen Gorgo (Lena Headey) has sex with her husband's political opponent in a vain attempt to save Leonidas' life, her adultery is presented as a heroic and admirable gesture. That too is historically accurate - Spartan women, even married ones, had the right to sleep with other men (and women). In fact, a good Spartan warrior was expected to share his wife with his comrades in arms. Spartan women enjoyed a status, power and respect that was unknown in the rest of the classical world.