![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5WVvdCuvkSLtQ0uZx0MqmsrZynX8XuukCvpxPqAj20Ylo6g6gQ1osmKAyVH7ZIJK2IIkEIrSYyjwzNEw6nUpX0Az3uTA33iCeVxmNxlbaVNHHUuL1UVZ3cYXf_RQRwJFULNyJy3-p0mA/s400/photo-Rio-Bravo-1959-10.jpg)
Sexy Angie Dickinson spices up this otherwise testosterone-heavy western starring John Wayne as a beleagured sheriff in a lawless town. This film was Howard Hawks's response to Fred Zinnemann's "High Noon", with an identical premise, but diammetrically opposite ideological point-of-view. While "High Noon" was a leftist cry in the wilderness bemoaning the lack of solidarity among human beings, ''Rio Bravo" is a right-wing alegory about experienced professionals doing their jobs without caring about anything else. In fact, both film could be seen as allegories about George W. Bush's presidency: "High Noon" about his unsuccessful diplomatic efforts to built an anti-Saddam coalition, and "Rio Bravo" about the efforts of his tiny "coalition of the willing" in Iraq.