December 12, 1972

Top 10 Films of 1972

1. ''The Godfather'' (Francis Ford Coppola, USA)

2. "Cabaret" (Bob Fosse, USA)

3. "Le Charme discret de la bourgeoisie" (Luis Bunuel, France)

4. ''The Canterbury Tales'' (Pier Paolo Pasolini, Italy)

5. ''Deliverance'' (John Boorman, USA)

6. ''The Ruling Class'' (Peter Medak, UK)

7. "Sleuth" (Joseph L. Mankiewicz, UK)

8. ''Red Psalm'' (Miklos Jancso, Hungary)

9. "The Harder They Come" (Perry Henzell, Jamaica)

10. "Trzeba zabic te milosc" (Janusz Morgenstern, Poland)


Other great films:

Diabel (Poland)
Fist Of Fury (Hong Kong)
Letter To Jane (France)
The New Land (Sweden)
Pictures Of The Old World (Czechoslovakia)
Solaris (Soviet Union)
Tout va bien (France)


Top 10 Guilty Pleasures of 1972:

1. "L'Amour l'après-midi" (Eric Rohmer, France)

2. "Perla w koronie" (Kazimierz Kutz, Poland)

3. "Boxcar Bertha" (Martin Scorsese, USA)

4. "Lunch" (Curt McDowell, USA)

5. "Ciao Manhattan" (John Palmer, David Weisman, USA)

6. "Slaughterhouse-Five" (George Roy Hill, USA)

7. "Last House On The Left" (Wes Craven, USA)

8. "Savage Messiah" (Ken Russell, UK)

9. "What The Peeper Saw" (Andrea Bianchi, James Kelley, UK)

10. "Street Of A Thousand Pleasures" (William Rotsler, USA)


Short Top 3:

1. "La Cabina" (Antonio Mercero, Spain)

2. "Frog Story" (Ron Satlof, USA)

3. "Lucifer Rising" (Kenneth Anger, USA)


Other great shorts:


Top Music Video:

"John I'M Only Dancing" (Mick Rock, UK)


Top Commercial:

"Mickey Likes It" (Life)


Other great commercials:

Polski Fiat (Poland)

TV Top 3:

1. "Gallux Show: Wieczor 5" (Olga Lipinska, Poland)


3. "Mission Impossible: Kidnap" (Peter Graves, CBS)


Other great TV shows:


Cartoon Top 3:

1. "Och! Och!" (Bronislaw Zeman, Poland)

2. "Kama Sutra Rides Again" (Bob Godfrey, UK)

3. "Tup Tup" (Nedeljko Dragic, Yugoslavia)


Other great cartoons:

For The Love Of Pizza
Pecking Holes In Poles
The Cruel Sea (Kuwait)
Liberté à Breme (Germany)

Top Musical of 1972

"Cabaret" (Bob Fosse, Allied Artists)


November 11, 1972

The Godfather (1972) *****

One of the greatest gangster films of all time, starring Marlon Brando as the head of an influential mafia family in New York City. Al Pacino plays his youngest son. 

October 10, 1972

The Harder They Come (1972) ****

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Trzeba zabic te milosc (1972) ****


Red Psalm (1972) ****

Frenzy (1972) ****

The Ruling Class (1972) ****

Deliverance (1972) ****

The Canterbury Tales (1972) ****

Cabaret (1972) ****

Christopher Isherwood's autobiographical stories about Berlin in the early 30's form the basis of this excellent musical film starring Liza Minnelli, Joel Grey and Michael York. Songs:

"Wilkommen" **
"Mein Herr" ***
"Maybe This Time" *
"Money, Money" ***
"Two Ladies" **
"Tomorrow Belongs To Me" ***
"If You Could See Her" ***
"Cabaret" **

Le Charme discret de la bourgeoisie (1972) ****

Brilliantly funny surrealistic satire from Luis Bunuel.  The third instalment in his "surrealist quartet" of French comedies, preceded by "Un Chien andalou" (1929) and "L'Age d'or" (1930), and followed by "Le Fantome de la liberte" (1974).

Sleuth (1972) ****

Excellent, expertly directed film starring Laurence Olivier and Michael Caine.

September 9, 1972

Godzilla Vs Gigan (1972) ***

Campy, but entertaining Godzilla flick.

Street Of A Thousand Pleasures (1972) ***

Boxcar Bertha (1972) ***

Letter To Jane (1972) ***

The first 20 minutes of this 51-minute film consist of incoherent mumblings from Jean-Luc Godard and Jean-Pierre Gorin. Excerpts of the narration:

The spectator must to be able to really think. And think, first of all, about this problem of questions and answers. We must be able to be really upset about the spectator's questions, or answers, and to answer, or ask questions, other than with ready-made answers, or questions, to ready-made questions, or answers. But ready-made by whom? For whom? Against whom?

Yes indeed, the spectator of the first 20 minutes of this movie must to be able to laugh. And laugh, first of all, about this verbal deluge of complete nonsense. And he must be able to be really upset about Godard's, and Gorin's, incoherent ravings, and questions, and answers, and ready-made answers, and ready-made questions. But ready-made by whom? By Godard ? Or by Gorin ? For whom? For us ? Against whom? Against us, the viewers.

However, passed the 20-minute mark, the film suddenly becomes very interesting. The analysis becomes coherent. Interesting points are made.

Delirium (1972) ***

The Case Of The Bloody Iris (1972) ***

Slaughterhouse-Five (1972) ***