February 16, 1970
The Adventures Of Prince Achmed (1926) ***
The first feature-length animated film, using the shadow puppet technique, made in Germany and directed by Lotte Reininger.
Fig Leaves (1926) ***
One of Howard Hawks' earliest films, with his sense of irony already in full display. Hilarious intertitles.
Dura lex (1926) ***
Menilmontant (1926) ****
The Bat (1926) ***
Excellent silent horror/comedy starring Jack Pickford and Jewel Carmen, who would both be involved in a great Hollywood scandal later on - Pickford dying of a drug overdose, and Carmen perjuring herself under oath during the investigation of actress Thelma Todd's death, in which her husband - "The Bat" 's director Roland West - was the chief suspect.
So's Your Old Man (1926) **
W.C. Field's comedy about an inventor, a princess and a snobbish small town.
Torrent (1926) **
There is one memorable scene in the film, a disastrous rain storm, with a dam burst leading to a severe flood causing destruction to the small town. But the rest of the film is a hopelessly dated melodrama starring Greta Garbo.
The Holy Mountain (1926) **
Bardelys The Magnificent (1926) **
One superb action sequence near the end, but otherwise a routine swashbuckler set in pre-revolutionnary France.
Love 'Em And Leave 'Em (1926) **
Louise Brooks stars in this silent drama about two sisters getting in trouble over gambling.
Son Of The Sheik (1926) *
The Bells (1926) *
A ridiculous silent film starring Lionel Barrymore as an Alsatian innkeeper who kills a travelling Jewish merchant and feels guilty about it.
Flesh And The Devil (1926) *
Deeply misogynist silent melodrama starring Greta Garbo as a terrible slut of a worthless woman who ruins a wonderful friendship between two wonderful men. One of those films that made Molly Haskell foam at her mouth and inspired an entire generation of militant feminists.
Black Pirate (1926) *
Nana (1926) *
Wandering Willies (1926) *****
Two happy-go-lucky hoboes (Billy Bevan and Andy Clyde) create major havoc at Bull Frog Lake. First, they steal a cop uniform and a baby carriage. Then, Bevan fishes for an oyster in his soup bowl. Finally, there is one of the funniest Sennett chases with a long line of Keystone Kops dragged down the street behind their car. Kewpie Morgan plays the villain. Directed by D.Lord.
Danger Ahead (1926) ***
Produced by Billy West for Artclass, this is an exciting parody of Victorian-era melodramas, with non-stop chases involving trains, boats and drawbridges. Truly hilarious inter-titles only add to the fun. Directed by P.Pembroke.
Circus Today (1926) ***
There are many great moments in this memorable comedy: Billy Bevan diving into an empty swimming pool, frantic chases in circus chariots, Madeline Hurlock wrestling a lion. The ending involves a balloon lifting a house high in the air, with a lion inside. Directed by D.Lord.
Mighty Like A Moose (1926) ***
The husband (Charley Chase) has large teeth. The wife (Vivian Oakland) has a huge nose. They both correct their deformities on the same day, and can't recognize one another. Instead, they flirt with each other, thinking they're betraying their spouse. Directed by Leo McCarey and produced by Hal Roach.
Along Came Auntie (1926) ***
Silent farce about a woman who must pretend to still be married to her first husband (Oliver Hardy) in order to please her rich aunt. The highlight is the second husband who must dress as her to sleep in the same bed as the first husband.
45 Minutes From Hollywood (1926) ***
Hilarious, fast-paced farce full of chases, cross-dressing and mistaken identities. This is Laurel and Hardy second film together (after 1921's "Lucky Dog"), but they still don't appear as a team. Directed by Fred Guiol and produced by Hal Roach.
Bromo And Juliet (1926) **
Drunken Charley Chase disrupts a Shakespearean festival. Oliver Hardy plays an obstinate taxi driver. Uneven, occasionally amusing farce. Directed by Leo McCarey and produced by Hal Roach.
Saturday Afternoon (1926) **
Poor Harry, terrorized by his wife, decides to fool around with other women. This Harry Langdon comedy has a coherent plot, but weak gags. Directed by Harry Edwards.
Long Fliv The King (1926) **
A princess from Thermosa marries a death row convict (Charley Chase) to inherit the throne. To her pleasant surprise, Charley is granted a pardon and comes to Thermosa to assume his royal functions. Directed by Leo McCarey and produced by Hal Roach.
Clara Cleans Her Teeth (1926) **
Walt Disney's niece, Marjorie Sewell, stars in this live-action educational film about dental hygiene. There is some very brief animation during a dream sequence.
Rien que les heures (1926) *
A series of "impressions" about a city, exploring a seedy side of Paris. French avant-garde documentary directed by Brazilian (and future British) film director Andrea Cavalcanti.
Now You Can Tell One (1926) *
Several gentlemen are competing for the prestigious title of "King of Liars". Charles Bowers (who also directs) wins by telling an unbelievable story about a house ravaged by mice. It's basically a life-action short, but it includes some stop-motion animation effects.
For Sadie's Sake (1926) *
A man causes havoc during a theatrical presentation. A rather tedious comedy starring Jimmie Adams (remember him ?). The film was produced by E.W.Hammons (for Educational) and directed by Frank Roland Conklin.
Chasing The Chaser (1926) *
Stan Laurel directed this short about a cross-dressing private detective catching a philandering husband (James Finlayson).
Three Of A Kind (1926) *
Frank "Fatty" Alexander, Hillard "Fat" Karr and "Kewpie" Ross, also known as "The Ton of Fun" trio, perform a comedy routine in a trendy restaurant. The patrons aren't amused. A slow, unmemorable comedy directed by Harry Sweet for Standard.
Where Friendship Ceases (1926) ****
Probably Paul Terry's greatest film ever, a fast-paced, inventive and very entertaining cartoon with Farmer Al Falfa, his cat and a bunch of mischievious rodents. The climactic scene showing Farmer Al Falfa dragged through a series of mouse holes might have been an inspiration for a very similar scene in Chuck Jones' "Mouse Wreckers" (1948).
Alice's Mysterious Mystery (1926) ****
Watered Stock (1926) **
Farmer Al Falfa is a milkman. Mischievious cats are stealing his milk and breaking his bottles. Even a policeman cannot help him.
Through Thick And Thin (1926) **
Farmer Al Falfa's kid is kidnapped by a gypsy wolf. The climactic scene, set on ice floats near a waterfall, was certainly inspired by D.W.Griffith's "Way Down East" (1920).
Buck Fever (1926) **
Farmer Al Falfa is hunting big game in a tropical country. A typical Paul Terry cartoon, though more coherent than most. Highlights include a lion getting a haircut and a pedicure.
Roman Scandal (1926) **
A Mutt and Jeff cartoon set in ancient Rome. There is an exciting chariot race, undoubtedly inspired by "Ben Hur" (released only a year earlier). Directed by C.Bowers.
The Windjammers (1926) **
A cat and a mouse use a very original method of catching fish (air pressure). They are chased by an army of cops.
Why Argue (1926) **
Farm animals are playing cruel tricks on farmer Al Falfa. The poor man also has problems with a local utility company that insists on erecting a pole right in front of his house. Al Falfa sends his bull to solve that problem.
Cyganka Aza (1926) ***
Tabor cygański rozbił obóz w pobliżu majątku Stawisko. Cyganka Aza wkrada się w łaski dziedzica tych ziem, pana Adama. Krzyżuje tym samym plany i burzy sieć intryg, jakimi próbują opleść Adama rządca jego dóbr i guwernantka jego siostry. Aza jednak źle się czuje w złotej klatce i porzuca osiadłe życie, powracając do taboru. Tam odnajduje swój prawdziwy obiekt fascynacji, młodego Cygana Tumrego. Ten jednak zakochuje się w dziewczynie ze wsi, pięknej Motrunie. Cyganie wraz z Azą odjeżdżają, a Tumry postanawia zostać przy swojej ukochanej i wziąć z nią ślub, do którego dochodzi dzięki protekcji dworu.
Ludzie ze wsi obracajÄ… siÄ™ przeciw mÅ‚odym, których spotykajÄ… teraz codzienne szykany. Å»yjÄ… w biedzie, lecz udaje im siÄ™ wÅ‚asnymi siÅ‚ami zbudować na uboczu skromnÄ… chatÄ™, rodzi im siÄ™ dziecko. ZÅ‚y na swojÄ… córkÄ™ ojciec Motruny podpala domek, niszczÄ…c caÅ‚y dorobek mÅ‚odych. Tymczasem niemogÄ…ca zapomnieć Tumrego Aza doprowadza do powrotu taboru do wsi. Cygan Tumry – przygnieciony bagażem nieszczęść – jest rozdarty miÄ™dzy miÅ‚oÅ›ciÄ… do żony a pożądaniem Azy, miÄ™dzy wolnym życiem w taborze a egzystencjÄ… we wsi, gdzie jest traktowany jak wróg. Próbuje popeÅ‚nić samobójstwo. Porzuca żonÄ™ i wyrusza wraz z Cyganami. WidzÄ…c to, Motruna pada martwa.
Ludzie ze wsi obracajÄ… siÄ™ przeciw mÅ‚odym, których spotykajÄ… teraz codzienne szykany. Å»yjÄ… w biedzie, lecz udaje im siÄ™ wÅ‚asnymi siÅ‚ami zbudować na uboczu skromnÄ… chatÄ™, rodzi im siÄ™ dziecko. ZÅ‚y na swojÄ… córkÄ™ ojciec Motruny podpala domek, niszczÄ…c caÅ‚y dorobek mÅ‚odych. Tymczasem niemogÄ…ca zapomnieć Tumrego Aza doprowadza do powrotu taboru do wsi. Cygan Tumry – przygnieciony bagażem nieszczęść – jest rozdarty miÄ™dzy miÅ‚oÅ›ciÄ… do żony a pożądaniem Azy, miÄ™dzy wolnym życiem w taborze a egzystencjÄ… we wsi, gdzie jest traktowany jak wróg. Próbuje popeÅ‚nić samobójstwo. Porzuca żonÄ™ i wyrusza wraz z Cyganami. WidzÄ…c to, Motruna pada martwa.
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