The Werewolf of Washington (1973) *

A hopelessly inept horror movie that tries to be a satire about Richard Nixon's White House, but fails miserably. The first reel has dialogues wildly out of synch, but the rest of the movie is just as ridiculous. Milton Moses Ginsberg, who made the celebrated "Coming Apart" (1969), proves once again that some avant-garde directors should never try to make genre movies...

Crypt of the Living Dead (1973) *

Worthless horror movie about female vampires.

Top 10 Films of 1972

1. ''The Godfather'' (Francis Ford Coppola, USA)

2. "Cabaret" (Bob Fosse, USA)

3. "Le Charme discret de la bourgeoisie" (Luis Bunuel, France)

4. ''The Canterbury Tales'' (Pier Paolo Pasolini, Italy)

5. ''Deliverance'' (John Boorman, USA)

6. ''The Ruling Class'' (Peter Medak, UK)

7. "Sleuth" (Joseph L. Mankiewicz, UK)

8. ''Red Psalm'' (Miklos Jancso, Hungary)

9. "The Harder They Come" (Perry Henzell, Jamaica)

10. "Trzeba zabic te milosc" (Janusz Morgenstern, Poland)

Other great films:

Aguirre: The Wrath Of God (Germany)

And Now For Something Completely Different (UK)

Behind The Green Door

The Bitter Tears Of Petra Von Kant (Germany)

The Case Of The Bloody Iris

César et Rosalie (France)

Cocksucker Blues

Deep Throat

Delirium

Diabel (Poland)

Ecstasy Of The Angels (Japan)

Everything You Always Wanted To Know About Sex

Fellini's Roma (Italy)

Female Prisoner Scorpion (Japan)

Fist Of Fury (Hong Kong)

Frenzy

Fritz The Cat

Godzilla Vs Gigan (Japan)

Letter To Jane (France)

The New Land (Sweden)

Oh Calcutta!

Pictures Of The Old World (Czechoslovakia)

Play It Again, Sam

The Seduction Of Mimi (Italy)

Solaris (Soviet Union)

Le Temps d'une chasse (Canada)

Tout va bien (France)

Trzecia czesc nocy (Poland)

La Vraie nature de Bernadette (Canada)

The Way Of The Dragon (Hong Kong)

What Have You Done To Solange ?

Top 10 Guilty Pleasures of 1972:

1. "L'Amour l'après-midi" (Eric Rohmer, France)

2. "Perla w koronie" (Kazimierz Kutz, Poland)

3. "Boxcar Bertha" (Martin Scorsese, USA)

4. "Lunch" (Curt McDowell, USA)

5. "Ciao Manhattan" (John Palmer, David Weisman, USA)

6. "Slaughterhouse-Five" (George Roy Hill, USA)

7. "Last House On The Left" (Wes Craven, USA)

8. "Savage Messiah" (Ken Russell, UK)

9. "What The Peeper Saw" (Andrea Bianchi, James Kelley, UK)

10. "Street Of A Thousand Pleasures" (William Rotsler, USA)

Short Top 3:

1. "La Cabina" (Antonio Mercero, Spain)

2. "Frog Story" (Ron Satlof, USA)

3. "Lucifer Rising" (Kenneth Anger, USA)

Other great shorts:

The Rehearsal
The Sex Garage

Top Music Video:

"John I'M Only Dancing" (Mick Rock, UK)

Top Commercial:

"Mickey Likes It" (Life)

Other great commercials:

Polski Fiat (Poland)

TV Top 3:

1. "Gallux Show: Wieczor 5" (Olga Lipinska, Poland)

2. "All In The Family: Archie And The Editorial" (Norman Campbell, CBS)

3. "Mission Impossible: Kidnap" (Peter Graves, CBS)

Other great TV shows:

Columbo: Blueprint For Murder

Gallux Show: Wieczor 3 i pol (Poland)

Cartoon Top 3:

1. "Och! Och!" (Bronislaw Zeman, Poland)

2. "Kama Sutra Rides Again" (Bob Godfrey, UK)

3. "Tup Tup" (Nedeljko Dragic, Yugoslavia)

Other great cartoons:

For The Love Of Pizza
Pecking Holes In Poles

Street Musique (Canada)

Weak films of 1972:

1776
Conquest Of The Planet Of The Apes

The Cruel Sea (Kuwait)
Liberté à Breme (Germany)

The Poseidon Adventure
Québec: Duplessis et après (Canada)

Shaft's Big Score
Sounder
Travels With My Aunt
Wniebowzieci (Poland)

Weak shorts:

Ballet Adagio (Canada)
Garden Of Luxor (UK)
The Process

Weak cartoons:

Ainsi vint la mort (Canada)
Chili Con Corny
A Christmas Carol
The Creation Of Birds (Canada)
Damon The Mower (UK)
Indian Corn
Modulations (Canada)
Tchou-Tchou (Canada)

Top Musical of 1972

"Cabaret" (Bob Fosse, Allied Artists)

The Godfather (1972) *****

One of the greatest gangster films of all time, starring Marlon Brando as the head of an influential mafia family in New York City. Al Pacino plays his youngest son. 

The Harder They Come (1972) ****

This summary is not available. Please click here to view the post.

Trzeba zabic te milosc (1972) ****

Red Psalm (1972) ****

Frenzy (1972) ****

The Ruling Class (1972) ****

Deliverance (1972) ****

The Canterbury Tales (1972) ****

Cabaret (1972) ****

Christopher Isherwood's autobiographical stories about Berlin in the early 30's form the basis of this excellent musical film starring Liza Minnelli, Joel Grey and Michael York. Songs:

"Wilkommen" **
"Mein Herr" ***
"Maybe This Time" *
"Money, Money" ***
"Two Ladies" **
"Tomorrow Belongs To Me" ***
"If You Could See Her" ***
"Cabaret" **

Le Charme discret de la bourgeoisie (1972) ****

Brilliantly funny surrealistic satire from Luis Bunuel.  The third instalment in his "surrealist quartet" of French comedies, preceded by "Un Chien andalou" (1929) and "L'Age d'or" (1930), and followed by "Le Fantome de la liberte" (1974).

Sleuth (1972) ****

Excellent, expertly directed film starring Laurence Olivier and Michael Caine.

Godzilla Vs Gigan (1972) ***

Campy, but entertaining Godzilla flick.

Street Of A Thousand Pleasures (1972) ***

Boxcar Bertha (1972) ***

Letter To Jane (1972) ***

The first 20 minutes of this 51-minute film consist of incoherent mumblings from Jean-Luc Godard and Jean-Pierre Gorin. Excerpts of the narration:

The spectator must to be able to really think. And think, first of all, about this problem of questions and answers. We must be able to be really upset about the spectator's questions, or answers, and to answer, or ask questions, other than with ready-made answers, or questions, to ready-made questions, or answers. But ready-made by whom? For whom? Against whom?

Yes indeed, the spectator of the first 20 minutes of this movie must to be able to laugh. And laugh, first of all, about this verbal deluge of complete nonsense. And he must be able to be really upset about Godard's, and Gorin's, incoherent ravings, and questions, and answers, and ready-made answers, and ready-made questions. But ready-made by whom? By Godard ? Or by Gorin ? For whom? For us ? Against whom? Against us, the viewers.

However, passed the 20-minute mark, the film suddenly becomes very interesting. The analysis becomes coherent. Interesting points are made.

Delirium (1972) ***

The Case Of The Bloody Iris (1972) ***

Slaughterhouse-Five (1972) ***